Anthropic opened a research preview of dynamic workflows on May 28: rather than cram a job into one context window, Claude writes an orchestration script on the fly and a background runtime runs it across dozens to hundreds of subagents, capped at 16 concurrent and 1,000 total. The reach is already real — Bun's creator used it to rewrite the runtime from Zig to Rust, some 750,000 lines, with 99.8% of tests passing in eleven days. Shipped alongside Opus 4.8 and a cheaper, faster mode, it marks the shift from typing code to commanding fleets of agents.
A new plugin reviews Claude's edits for vulnerabilities and fixes them in-session — pattern check per edit, model review per turn, deeper review on commit.
ByteDance and Alibaba hold the top two leaderboard slots as of May; the Kling 3.0 / Veo 3.1 cluster trails and Runway's Gen-4.5 falls out of the top ten.
A new Photo page, 100+ effects and AI tools — IntelliSearch, CineFocus depth control, voice cloning, Slate ID, UltraSharpen and Motion Deblur — free or $295.
At Cannes, XYZ Films and Paris-based Vixens forged a multi-picture slate financing partnership, with XYZ backed by IPR.VC and YouRoc. First up is Panos Cosmatos's A24 vampire thriller "Flesh of the Gods," starring Kristen Stewart and Wagner Moura and already shooting in the Canary Islands. The pact is part of a broader shift: as pre-sales contract and streamers buy less, European equity and family-office capital are stepping in to underwrite independent slates.
On June 9, Columbus unveils "Current," a permanent Janet Echelman sculpture strung over Gay and High Streets — 229 feet long, 126 feet up, 78 miles of twine in half a million knots, glowing after dark. It's the city's longest public artwork and the first of her permanent pieces to hang over a street. Pure what-if engineering: choreograph a soft, billowing net at skyscraper scale above live traffic — then take it down each winter so ice can't claim it.
Michael Heizer's "City," five decades in the making, sprawls more than a mile and a half across remote Nevada — one of the largest artworks ever built, reachable only by a trek into emptiness.
LANZA atelier's "a serpentine" opens June 6 in Hyde Park — a lightweight brick reinterpretation of the crinkle-crankle wall, hosting a season of live events.
Vincent Leroy's "Fractal Swarm" has no motor — a 3D-printed fractal frame with mirrored fins, animated entirely by wind and light on the open savanna, never the same twice.
Studio DRIFT floated luminous, opening-and-closing robotic flowers above Venice's waterways during the Biennale — kinetic light doubled in the lagoon's reflections.
Katharina Grosse's London show pushes her sprayed color off the canvas and across whole environments — paint as something that engulfs a place rather than coats it.
In late May, Tyler Andrews aborted his no-O2 Base-Camp-to-summit record bid near the Balcony and Karl Egloff turned back at the South Col — the margin at the top razor-thin.
A South Atlantic dive surfaced 28 possible new species in a Vatican-sized coral reef, filmed a rare giant phantom jellyfish, and found Argentina's first deep-sea whale fall 2.4 miles down.
Twenty-four new amphipod species — including a new family and superfamily — turned up in the Clarion-Clipperton Zone, the seabed targeted for deep-sea mining.
Schmidt Ocean Institute's 2026 season sends Falkor (too) on deep-sea cruises with artists embedded alongside scientists and live ROV feeds from the dark.